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Elevate Your Level of Readiness: A Method for Effective Score Study










            Digging Deeper                                     advanced forms.)  To mark form within the score, use a
              We begin the process by  reading every word  in the  blue pencil and ruler and delineate sections. (Example 1) I
            score. What do we learn from this? We might discover:  recommend using Roman numerals or capital letters. Don’t
              • Title                                          be intimidated by this part of the process; remember what
              • Historical information and time period         you learned from your undergraduate Form and Analysis
              • Date of composition                            course to piece this together.
              • Composer biography                                Third, we analyze key areas and important cadences,
              • Instrumentation and orchestration              which indicate peaks, valleys, and other emotional arrivals
              • Score layout and order of instruments          within the work. Understanding key centers, scales, and
              • Transposed Score or Score in C?                modes used in the work can also help the conductor with:
              • Key and time signatures                           • Chordal or vertical intonation
              • Solo/soli versus Tutti markings                   • Linear intonation within the melody
              • Mutes or extended/special performance techniques    • Student pitch tendencies
              • Is the piece programmatic? Does it tell a story?    • Chromatic alterations, otherwise known as “color notes”
              • Reason for the commission or creation of the work  I recommend that conductors, especially less experienced
              Next, we  explore form and structure. Knowing the  ones, spell chords in concert pitch (in traditional black
            form can assist in rehearsal planning by suggesting smaller  pencil), which can help to solidify transpositions.   You
            sections to work on throughout the rehearsal process. Some  should also consider  whether  Roman  numeral  analysis
            may refer to this as “chunking.” Marking “chunks” within  is more   beneficial in your preparation than strict chord
            a piece can make works of any size more approachable  analysis, similar to jazz notation. (Example 2) If you feel
            and help everyone involved in the rehearsal prepare in  that it is necessary to understand the function and motion
            a more tactical way. Furthermore, understanding overall  of a certain chord sequence, then Roman numeral analysis
            architecture can inspire more musical decisions throughout  is the way to go, but no rule says you have to do this. In
            the rehearsal process. For example, if Chunk C is an exact  simpler terms, ask yourself, “Will it help me teach this
            recurrence of Chunk A, there should be implications for  piece?” If so, do it!
            a conductor related to tempo, style, and dynamics. In the   Example 2: Chord analysis
            same vein, understanding form can help us determine if the
            structure is predictable or innovative, allowing us to share
            the craft of composition with our students. (Incidentally,
            remember that more advanced pieces often have more
            Example 1: Marking form




















            Bandmasters Review • April 2018                  24                            Texas Bandmasters Association
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