Page 12 - 2017-BMR-December

The Pocket Guide to Teaching Trombone

IV. Chart of Positions Requiring Adjustments
Each slide position on the trombone lowers its pitch by a half-step. Therefore, each
half step down from the out-of-tune partial generally follows the same adjustments. The
following chart indicates what adjustments are needed for each out of tune partial:

V. What is Most Likely Out of Tune in Your Trombone Section

Memorize this:
Intonation Tendencies (not found on most fingering charts)
7th Partial Notes: G and Gb/F# (2nd and 1st) ABOVE MIDDLE “C” should be shorter positions.
6th Partial Notes: F,E,Eb, alternate D, (1st, 2nd, 3rd, and 4th respectively) ABOVE MIDDLE “C” on the ledger
lines above the bass clef. 6th partial notes should be played in slightly longer positions (roughly .5 inches longer).
5th Partial Notes: D, C#, C, B nat., alternate Bb, (1st, 2nd, 3rd, 4th, and 5th respectively) ABOVE MIDDLE C on
the ledger lines above the bass clef, 5th partial, should be played in a slightly shorter position (roughly .25 inches
shorter). However, some models of trombone need to play these notes in slightly longer positions.
All positions should be checked with a tuner frequently, especially middle of the staff f#/gb in 5th, low c in 6th,
and low b in 7th. Remember that young students will be growing (and so will their arms.)
There is no substitute for a good ear. Hearing intonation problems can be taught.
The fourth position is regularly sharp because most beginners are taught to use the top of their slide equal with
the bell. It is actually below the bell.

Bandmasters Review • December 2017 10 Texas Bandmasters Association